Marris’ role has become obviously more nuanced since then. “I hope that through this translation, Camus will become one of the voices that advocates for a more humane world when we emerge from this.”. Marris said she hopes to restore the “restraint” in Camus’ narrative language, which she believes will make the book more moving to English readers. Marris visited one Zoom class session to discuss the novel and her ongoing translation project. “There are places Gilbert gets so caught up in the feeling of the novel that what he gives seems to be his experience of reading it,” says Marris. UB lecturer updating translation of Camus’ ‘The Plague’ for major publishing house. “His restraint, and the way he lets the weariness of the situation into the rhythms of his sentences. L'Étranger (French: [l‿e.tʁɑ̃.ʒe]) is a 1942 novel by French author Albert Camus.Its theme and outlook are often cited as examples of Camus's philosophy, absurdism coupled with existentialism, though Camus personally rejected the latter label. Buy Print. in poetry from Boston University and has published both translations from French and original English poetry and prose. |  Translating, teaching and reading Camus’ “The Plague” during Covid-19, Carrie Zhou 12:39 am, Apr 22, 2020. According to Kaplan, who has taught “The Plague” for many years, the novel repeatedly reminds readers of real-life events. Against the background of events, he creates various attitudes of human beings toward the plague, heightened by … “For me there are moments when Camus’ prose is so full and spare, written with such restraint, that I feel like I’m putting on my lyric poetry cap and really trying to capture the lean beauty of those lines,” says Marris, who has published original poetry and prose, and earned her MFA in poetry from Boston University. “So where Camus will write something simple, like, ‘They returned to work,’ Gilbert might translate that as ‘They put their shoulders to the wheel.’ The novel is heroic on its own, so it’s unnecessary to create that heroic feeling if it wasn’t originally there on the page.”. Camus had seen the Nazis overrun Paris in 1940 during World War II. From the episode: Liesl Schillinger: I don’t know if your other readers are like me and reading all kinds of books that relate to different epidemics and and plagues in the past, but the way that Camus writes about it or chose to think about it really matters as a key to all of them. But for Marris, an adjunct instructor in the Department of English, her work translating Camus’ allegorical tale set in a town ravaged by illness is now a project that continues in the inescapable reality of the current COVID-19 pandemic, a coincidence drawing both bold and lightly shaded parallel lines of art apparently manifest in life. À première vue, Oran est, en effet, une ville ordinaire et rien de plus qu’une préfecture française de la côte algérienne. We’re never going to forget that ‘The Plague’ became very close to us in 2020.”. Some insight might come from a speech Camus gave in 1946 at Columbia University, which she encourages people to watch, about the value of returning to a human scale. The work is so applicable and timely, but I can not even seem to find an ebook that has the Robin Buss translation (as apparently the Stuart Gilbert translation is … Camus' story is older than WWII, and it is timely for 2020 America. An Associated Press quotes Monica Stephens in an article on social media platforms locking down the accounts of President Trump. Henry James’ quote that “a writer is someone on whom nothing is lost” is a description that might more accurately describe the work of a translator. We can either succumb to plague (sin and death), or aspire to be saints or healers in the face of pandemic. “He gives a moving argument for the value of creating communities and having a shared immunity to the forces of totalitarianism, fascism, oppression, all those forces which on a large scale want to suppress individual communities and create some kind of terrifying cultural homogeny,” says Marris. While he was writing The Plague, he was the editor in chief of Combat, the underground magazine of the French Resistance, whose contributors included André Malraux, Jean-Paul Sartre and Raymond Aron. With Camus’ The Plague finding an audience as customers looked for reason during the height of the pandemic, there was arguably no better time to publish a Khmer translation of The Outsider – Camus’ absurdist, existentialist novel following the life and execution of Meursault. “There is real depth in his portrayal of illness, and he had a real personal stake in it,” Marris said. In her translation, she hopes to bring attention to the story’s physical spaces. Camus’s novel offers a glimpse of this in a conversation between Dr. Rieux and Jean Tarrou, who had unfortunately arrived in Oran shortly before the outbreak of the plague. Case counts rise exponentially, as authorities attempt to downplay the severity of the disease. He had something personal at stake.”. Please submit your comments in the box below. Widely read as an allegory for the Nazi occupation of France during World War II, “The Plague” — or “La Peste” — tells the story of the Algerian city of Oran as it is swept by plague and enters a lockdown. Though he initially insists on leaving Oran, Rambert eventually decides to stay and join the city’s fight against the plague. In her senior year at Yale, Marris took a seminar on Camus’ major works with French professor Alice Kaplan GRD ’81. An icon used to represent a menu that can be toggled by interacting with this icon. According to Kaplan, Camus knew that extinguishing one threat does not guarantee permanent safety, and “The Plague” reminds readers to remain vigilant and “be on the lookout for what in us could be toxic.”. She’s started her second English draft, which could still be revised another two or three times. Gilbert’s translation is an obvious foil for Marris to work against and keep in the back of her mind, but she also considers the context in which he worked, and the environment in which she now finds herself. “When Gilbert worked on his translation, the post-World War II context was deeply embedded in his mind with the idea that the novel is an allegory for the French resistance to Nazi occupation,” she says. Prio Bhoyonkor February 12, 2012 - 6:00 am; Himu Misir Ali Jugolbondi February 7, 2012 - 2:29 am; Onuron Golok October 20, 2012 - 4:43 am; The Godfather November 8, 2012 - 2:37 pm; Pearl Maiden April 20, 2012 - 3:26 pm; The Virgin Of The Sun by Henry Rider Haggard October 17, 2011 - 1:33 pm; Naiera by Muhammad Zafar Iqbal October 15, 2012 - 6:20 am; The Battle of Kadesh May 8, 2018 - … These depictions are particularly significant because Camus himself had tuberculosis for much of his life and was in very poor health while writing “The Plague.”. 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